The Pro Church Tools Show shares "We Analyzed 500+ Churches On Social Media. The Results Were Unexpected" (31-minute watch), presenting a core dataset compiled from working one-on-one with over 500 churches since 2023. The analysis reveals a "predictable and boring" truth: churches that increased posting volume by ~400% saw a correlated increase in impressions of ~500%, regardless of church size or denomination. Significance: Digital leaders should shift focus from "creative perfection" to Views Per Day (VPD), repurposing one sermon into 10+ weekly posts to maximize algorithmic visibility.

Tithe.ly shares "Small Digital Changes That Make a Big Difference" (5-minute read), exploring how to "de-jargonize" your digital front door. Most churches use internal language like "Equip Night" or "Next Gen" that confuses newcomers. The article emphasizes three high-impact "micro-edits": An easy-to-find “Plan Your Visit” or “I’m New;” a short “What to Expect;” and renaming menu items to plain English. Of course, the call to action suggests checking out Tithely if you are interested in a new Church Management System ;-)

Churchfront shares "Everything is about to change" (16-minute watch), showcasing how artificial intelligence and Model Context Protocol (MCP) are set to revolutionize church production workflows. Jake Gosselin explains how ministries can use natural language prompts to automate tasks across platforms like Planning Center and ProPresenter, unifying fragmented tools into a single ecosystem.

Church Production shares “Audio Consoles? Blackmagic’s Pre-NAB 2026 Announcements Show It Isn’t Just a Video Company Anymore” (5-minute read), spotlighting new Fairlight Live Audio Consoles as a logical upgrade to its Fairlight Live (free) software-based mixer designed for tactile, professional audio control in live production. Many churches already use their ATEM video switcher products. Alongside updates to DaVinci Resolve, these tools help churches improve sound quality, simplify mixing for volunteers, and integrate broadcast-grade audio workflows into livestream and in-room production. BTW - we don’t like the company’s name!

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